'Chitrakarini temple, Bhubaneswar, Part-II' - by K.J.S.Chatrath

'Chitrakarini Temple, Bhubaneswar, India' - by K.J.S.Chatrath

 
 One place you must go before you  die is Odisha and visit Lord Jagannath's Temple at Puri, Konark Temple at Konark and and Lord Lingraj Temple at Bhubaneswar.

How ever Bhubaneswar is not a one temple town. There are more than a thousand old temples, in various stages of repair and disrepair in Bhubaneswar. Ever few hundred metres you would come across a temple. The sheer grandeur of Lingraj temple attracts most of the attention and one tends to ignore other temples- each an architectural gem in itself.

 Source of the above: Google maps

I visited Bhubaneswar in January 2017 and visited one such temple-  the Chitrakarini temple.

This Kalinga Nagara style temple is well preserved small lawn. It is being maintained by the  Archeological Survey of India (ASI). Lingaraj and Chtrakarini temples share a common boundary wall and one can have a panoramic view of the former from here.

Built in 13th century CE, the rich stone carvings depicting flowers, creepers, erotic couples, dancers, lions controlling elephants adorns the outer walls of the shrine. The main shrine is surrounded by four subsidiary small shrines in four corners. Chamunda is the presiding deity of the min shrine and Shaktism is the conduct of worship followed at this shrine. The Chitrakarini temple, with four subsidiary shrines at the corners, is of the 'Panchayatana' (five-shrined) type, the whole group enclosed by a compound-wall. It is built on a low undecorated platform with projections, it is 'Pancha-Ratha' on plan, with a division of the corner 'Ratha' all through.

The decoration of the roof of the 'Jagamohana' is a departure from the established type; the 'Pidhas' are arranged in two tiers as usual, but on each tier there is a row of replicas of the pyramidal roof, one on each projection.
Two of the friezes, both of them depicted on the lintels of the non-functional banister windows of the 'Jagamohana', deserve special attention; the one on the south side depicts a marriage, probably of Shiva and Parvati, while that on the north shows Krishna playing on his flute amidst his enchanted followers and cattle listening with rapt attention. Of the three overhanging mouldings above the south lintel, the highest is prominent for a procession counting riders on camels.

Do not miss the camels and the implication of this depiction, as camels are not found in Odisha. 

Intricate stone work

An old 1890 photo of the Chitrkarini Temple by William Temple Cornish (Source: British Library)

(Text with inputs from the internet)

'Tabla performance by Ms. Rimpa Siva at India International Centre, New Delhi' - K.J.S.Chatrath

 I was fortunate to attend a tabla performance by Ms. Rimpa Siva at India International Centre, New Delhi earlier this month.

I recorded a part of it and have uploaded it on You Tube. Take a look:
https://youtu.be/Y9_FZBo9WDU


Rimpa Siva was taught to play the Farukhabad gharana style by her father Prof. Swapan Siva.  She  started her stage performances when she was eight years old. She now stands out as one of the few female tabla players in the Indian classical music landscape. Her passion for tabla has earned her numerous laurels and she was featured in a French documentary titled Rimpa Siva: Princess of Tabla.  

'Indian heritage in Cambodia- some photos' - by K.J.S.Chatrath

May I invite you to see my earlier post on Cambodia: 'Cambodian dances & music' - by K.J.S.Chatrath.   by clicking at the following link:   http://fiftyplustravels.blogspot.in/2017/10/cambodian-dances-music-by-kjschatrath.html

 Those interested in knowing about the Hindu heritage of cambodia may like to read "Cambodia’s Hindu heritage continues to loom large" - By Murali Balaji;

https://www.huffingtonpost.com/murali-balaji/cambodias-hindu-heritage_b_13792554.html